- 1965 martin guitar serial numbers full#
- 1965 martin guitar serial numbers plus#
- 1965 martin guitar serial numbers series#
- 1965 martin guitar serial numbers crack#
As with its predecessor, this model bore two DeArmond humbucking pickups. The upper bout had an inward curve into the neck. The GT-70 had a single cutaway on the lower bout. The guitars inlays had dot position markers and the headstock was redesigned and bound. The 22 fret rosewood fretboard was bound. These were thinline guitars with two F-holes and a neck that joined the body at the 15th fret. Two models were available this time, the GT-70 and GT-75.
1965 martin guitar serial numbers series#
However Martin stayed the course and created a new series of electrics dubbed the GT series that became available the following year. In fact, but for the color of the covering and grill cloth these amps were virtually identical.īy late 1965 the Martin F series was discontinued due to lack of interest. The Martin Model 110T and 112T were made by the DeArmond Company. The F-50 and F-55 models both had trapeze tail pieces with a large M cut into the base that was mounted above the guitar’s top. They also had dual volume and tone controls. The F-55 and F-65 included a neck and bridge DeArmond Humbucking pickups and a toggle switch mounted on the upper treble bout. The F-50 bore a single humbucking pickup at the bottom of the neck and a single volume and tone control on the lower bout.
Like most archtops, the pickguard was elevated. Another unusual feature on this series was the use of a clear Plexiglas adjustable bridge.
1965 martin guitar serial numbers plus#
The headstock was a typical Martin shaped with 3 plus 3 style tuners. The necks were glued into the instrument and processed a 20-fret rosewood fingerboard which joined the body at the 14th fret. The cutaways on these were different than any guitar of the day as they were wide and stood at almost a right angle from the neck and had a modified Florentine shape. All had a sort of dreadnaught shape, though the lower bout was wider. The tops and backs were maple plywood with the tops being bound. The bodies measured slightly less than 2” in thickness. They were designated models F-50, F-55 and F-65. These guitars were available for purchase as of 1962. In 1961 prototypes of a Martin thinline guitar was being developed. The D-28E and the 00-18E were produced through 1964.į-55 - F-65 - F-50 from the A Marshall Collection The D-18E was discontinued within a year. Subsequently they sound thinner than a typical X braced Martin.Īlthough Martin guitars did not become expensive until around 1973, electric guitar pickups that are screwed into a Martin acoustic guitar and holes drilled into the top and ladder bracing? That is a sacrilege! This changed the sound when the guitar was played acoustically. The D-28E had gold plated Grover Roto tuners.īesides the pickups the biggest difference between the electric and acoustic models of this series was, due to the pickups mounting, the electrics were made with transverse bracing on the top. The D-18E and the 00-18E had mahogany back and sides and the D-28E had rosewood back and sides. There was a single volume and tone controls for this model.Īll of these guitars had the same accoutrements as their acoustic cousins.
1965 martin guitar serial numbers crack#
Fine crack in the Bigsby's tailpiece hanger, minor binding separation on the back's treble-side waist, otherwise a perfectly gorgeous guitar.The 00-18E had only one similar DeArmond that was mounted at the bottom of the neck.
1965 martin guitar serial numbers full#
First 4 frets replaced and a full set up by our shop, and the guitar is original but for the spring in the Bigsby. The guitar is in very good condition with not much finish wear, and the metal parts are quite shiny still. Fender-like neck feel with a nutwidth of 1-5/8", 24.9" scale length. Adjustable truss rod (unlike acoustic Martins built before 1985), Kluson tuners, aluminum Bigsby bridge, three-way switching, and volume/tone controls for each pickup. Laminate maple thin hollow body, 16" wide, bolt-on mahogany neck with bound rosewood fingerboard. The GT-75 was built between 19 though, so they're not the easiest things to come by. The neck feels excellent, the fretwork is high-quality, the instrument gets in tune, plays in tune, and stays in tune, and the electronics are Gibson-simple. But, thanks to Martin's way better craftsmanship, the GT-75 plays without the idiosyncrasies that plague so many Gretschs. With its fully hollow body construction, amazing sounding DeArmond Dynasonic pickups and Martin/Bigsby tailpiece, the GT-75 is as Gretsch-y as many a Gretsch. Sure, their styling might seem slightly confused in its identity, but a Telecaster sure looked weird in 1949 too, but we got used to it.
Their hollowbody F and GT series instruments are by and large excellent playing guitars with phenomenal tone.
Martin doesn't get due credit for the electric guitars the company produced in the 1960's.